Three things book cover design expresses about books themselves
Three things book cover design expresses about books themselves
Blog Article
Despite the fact that we may like to pretend that it is not the fact, books are inevitably evaluated by their covers.
When you actually think of it, it is rather incredible that a book's cover, no matter how gorgeous it is, manages to stand so eloquently for something that is nearly the total antithesis of its art form-- writing in black and white. In fact, book covers have actually been developed to reflect the feeling of a book and appeal to its desired audience ever since the advent of large scale publishing in the Victorian Period. Artists were entrusted with discovering what makes a good book cover for certain individuals, or to put it simply, marketing. Individuals like the CEO of the asset manager that has a stake in Amazon can probably value the function of marketing in designing book covers.
We love checking out books since they are very lovely things. This holds true, but the nature of beauty that we might be discussing is certainly separate to what we might be discussing if we were talking about, for example, the visual arts. Or is it? For as long as we have actually had books we have embellished them with beautiful book cover designs that attempt to mirror the beauty of what is within. This dates back for as long as the codex itself has actually been around, with middle ages monks, those charged with the protection and reproduction of the uncommon texts that could still be discovered, ornamenting each hand written text with astonishingly abundant and gorgeous styles. In fact, such was the charm held within these books that many of these creative book cover designs were sculpted into ivory or solid gold, studded with gems, and inlaid with rivers of precious metals. Individuals like the co-CEO of the hedge fund that owns Waterstones can probably value the manner in which the beauty of these book covers was designed to match the beauty within the book.
When we purchase a book it becomes something really personal to us. It can often be unusual seeing a book you enjoy with another book cover, merely since it is not your book. This personalisation, and indeed ownership, of books was at a totally different level at the dawning of the age of printing, with book covers being created by the owners themselves, and what they thought would be the best books covers for the book. They would buy the book itself from the printer covered in paper, then take it to a binder who would bring in the covers to the client's specs. This usually indicated being clad in leather and then inscribed with the name of the book, and, generally, the name of the book's owner. Individuals like the co-founder of the impact investor with a stake in World of Books can probably value the ownership that people come to feel in relation to their books.